Armchair,
Alvar Aalto, 1930, Finland.
© Alvar Aalto Museum.
Photograph Victoria and Albert Museum,
London
Please Le Monde, Les Inrocks
and any other publications
(Radio Nova, L’Obs, Le HuffPost, Cheek mag) that Matthieu Pigasse “sponsor”, feel free to rephrase / rape this
piece!
Yesterday,
I went to V&A preview for Plywood: Material of the Modern World.
A
very interesting exhibition on the eclectic history of plywood.
I
really like the surfboards (1965), skateboards (1959-60 + 1969 + 1975 + 1989 +
1991), belly boards (1934).
But
there are planes, boats, chairs, cars, etc. It’s a small exhibition and it’s
free.
Other
exhibitions in London = sci-fi @ Barbican:
http://babylondonorbital.blogspot.com/2017/06/exposition-into-unknown-journey-through.html
+ interview with participating artist Larissa
Sansour http://babylondonorbital.blogspot.co.uk/2017/06/exhibition-interview-in-future-they-ate.html
Sorry
V&A, I’ll hopefully complete this piece more seriously but due to plagiarism
/ competition from French publications, I am getting really tired.
Here is an
explanation:
Past sexual harassment
is one of the reasons Les Inrocks are
stepping into my work
Here is a statement:
Recently, I
was surprised to read my article on Grenfell Tower fire in the respectable Le
Monde newspaper (21 June 2017).
However, the article
was signed by a young man Florian Reynaud. I say ‘young man’ not as opposed
to ‘old lady’, but to stress (French) media attention to youth and male
reporters / journalists.
After sending a few
emails to high rank position holders Luc
Bronner & Jérôme
Fenoglio @ Le Monde (still unanswered to this day), I wrote a piece
related to sexism via silence while mentioning my activities in London, a city
I have lived in since mid 90’s: http://babylondonorbital.blogspot.co.uk/2017/06/silence-sexist-way-of-behaving.html
Am I not more
legitimate to write on Grenfell than this young man? Could my gender and age be
a real issue?
On 10 July, I watched vidéo de Prenons
La Une (posted in March 2016) where Luc Bronner
is invited to talk about women’s position in the [FR] media. He admits that
equality is still a work in progress, adding that expert women on specific
topics are rare. They are more commonly seen in the news as victims. In his
honest view, I wonder in what field is Florian Reynaud an expert? How could he be an expert on
Grenfell if he seems to copy-paste (BBC, The
Guardian, my blog), translate?
On 23 September 2017,
editor in chief Katharine Viner @ The
Guardian is a guest on Post
Truth Politics for Le Monde
Are women over 45 years
old more tolerated and welcome if they hold a ‘glam’ work position? Are women
taken more seriously in order to cover up male editors who fall ‘victims’ of
their sexism? Passed 45 years old, can an unemployed female journalist hope to be published
in a mainstream media?
[These questions are
also valid for people who are disabled, non white or LGBTI]
Le Monde is not the
only one to pillage my blog (their silence leaves an open door to discomfort).
Matthieu
Pigasse owns also Les Inrocks
who have helped themselves on my ideas / articles on the London cultural city
since I’ve started to e-publish myself… covering same topics, visiting same
galleries / museums (London has so many of them). As if the English capital was
a small town where little was happening!
Worse thing is young
journalists copy a woman who could be their mother... I am therefore
rejuvenating their weekly paper’s image! If only they could focus on Paris...
Surely, there must be some happenings there?
Shame Luc Bronner has
been ignoring my emails! Shame he seems to protect himself on the sexism issue
by RT / follow (young) women since my emails!
Elitism luxury, media
power should also give courage to communicate, reassure... preventing from
provoking distress! Courage is not about simply worshipping Simone
Veil or Virginie Despentes. It should also be
about imitating these women / taking a stance... Courage shouldn’t be about
using women as a shield against its guilty conscience! Hello Luc Bronner / Jérôme
Fenoglio and anybody at Les Inrocks!
Sybille
Castelain
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